{"id":84,"date":"2019-06-06T01:56:07","date_gmt":"2019-06-05T23:56:07","guid":{"rendered":"http:\/\/localhost:8080\/?page_id=84"},"modified":"2021-07-05T23:10:29","modified_gmt":"2021-07-05T21:10:29","slug":"evomusart","status":"publish","type":"page","link":"http:\/\/www.evostar.org\/2021\/evomusart\/","title":{"rendered":"EvoMUSART"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"569\" src=\"http:\/\/www.evostar.org\/2021\/wp-content\/uploads\/2020\/06\/evo2021_banners_evomusart-1024x569.png\" alt=\"\" class=\"wp-image-1367\" srcset=\"http:\/\/www.evostar.org\/2021\/wp-content\/uploads\/2020\/06\/evo2021_banners_evomusart-1024x569.png 1024w, http:\/\/www.evostar.org\/2021\/wp-content\/uploads\/2020\/06\/evo2021_banners_evomusart-300x167.png 300w, http:\/\/www.evostar.org\/2021\/wp-content\/uploads\/2020\/06\/evo2021_banners_evomusart-768x426.png 768w, http:\/\/www.evostar.org\/2021\/wp-content\/uploads\/2020\/06\/evo2021_banners_evomusart-1536x853.png 1536w, http:\/\/www.evostar.org\/2021\/wp-content\/uploads\/2020\/06\/evo2021_banners_evomusart-2048x1137.png 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Following the success of previous events and the importance of the field of Artificial Intelligence applied to Music, Sound, Art and Design, EvoMUSART has become an evo* conference with independent proceedings since 2012. Thus, EvoMUSART 2021 is the 10th International Conference on Artificial Intelligence in Music, Sound, Art and Design.<\/p>\n\n\n\n<p>The use of Artificial Intelligence for the development of artistic systems is a recent, exciting and significant area of research. There is a growing interest in the application of Artificial Intelligence techniques (such as Artificial Neural Network, Evolutionary Computation, Swarm, Cellular Automata, Alife) in fields such as: visual art and music generation, analysis, and interpretation; sound synthesis; architecture; video; poetry; design; and other creative tasks.<\/p>\n\n\n\n<p>The main goal of EvoMUSART is to bring together researchers who are using Artificial Intelligence techniques for artistic tasks, providing the opportunity to promote, present and discuss ongoing work in the area.<\/p>\n\n\n\n<p>EvoMUSART is published in Springer Lecture Notes in Computer Science (LNCS) since 2003. The conference proceedings of EvoMUSART are available online in <a href=\"https:\/\/link.springer.com\/conference\/evomusart\">SpringerLink<\/a>.<\/p>\n\n\n\n<p>The <a href=\"https:\/\/link.springer.com\/book\/10.1007\/978-3-030-72914-1\">proceedings of EvoMUSART 2021<\/a> are available online following the link.<\/p>\n\n\n\n<p>Download the <a href=\"http:\/\/www.evostar.org\/2021\/wp-content\/uploads\/2020\/11\/evo2021_confs_evomusart_flyer_extended_deadline_2_02_11_2020.pdf\">CFP in PDF format from here<\/a>.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Special Issues<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\"><em>Evolutionary Computation in Art, Music &amp; Design<\/em><\/h3>\n\n\n\n<p>The journal Genetic Programming and Evolvable Machines (Q2, IF: 1.781) will publish a Special Issue called \u201cEvolutionary Computation in Art, Music &amp; Design\u201d. The editors of this Special Issue will be Juan Romero and Penousal Machado. Some authors from EvoMUSART 2021 will be invited to submit a new paper to this Special Issue.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><em>Artificial Intelligence and Complexity in Art, Music, Games and Design II<\/em><\/strong><\/h3>\n\n\n\n<p>Colin Johnson, Juan Romero and Tiago Martins will publish a Special Issue on \u201cArtificial Intelligence and Complexity in Art, Music, Games and Design II\u201d for the 10th International Conference on Artificial Intelligence in Music, Sound, Art and Design. All the papers accepted in EvoMUSART 2021 are encouraged to submit to this Special Issue.<\/p>\n\n\n\n<p>Deadline for manuscript submissions: <strong>30 September 2021<\/strong> (extension can be granted upon request)<\/p>\n\n\n\n<p>Special Issue URL: <a href=\"https:\/\/www.mdpi.com\/journal\/entropy\/special_issues\/ai_complexity_II\">https:\/\/www.mdpi.com\/journal\/entropy\/special_issues\/ai_complexity_II<\/a><\/p>\n\n\n\n<p>Instructions for authors: <a href=\"https:\/\/www.mdpi.com\/journal\/entropy\/instructions\">https:\/\/www.mdpi.com\/journal\/entropy\/instructions<\/a><\/p>\n\n\n\n<p>Volume I: <a href=\"https:\/\/www.mdpi.com\/journal\/entropy\/special_issues\/ai_complexity\">https:\/\/www.mdpi.com\/journal\/entropy\/special_issues\/ai_complexity<\/a><\/p>\n\n\n\n<p>Entropy (IF 2.524; ISSN 1099-4300) is an open access journal which maintains a rigorous and fast peer review system with a median publication time of 38 days from submission to online publication. It is fully covered by the leading indexing and abstracting services, including Scopus, PubMed, PMC and SCIE (Web of Science). You can easily find the aims and scope, board member list, published papers, and much more at <a href=\"http:\/\/www.mdpi.com\/journal\/entropy\">http:\/\/www.mdpi.com\/journal\/entropy<\/a>.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Conference Chairs<\/h2>\n\n\n\n<ul><li><strong>Juan Romero<\/strong><br>University of A Coru\u00f1a, Spain<br>jj(at)udc.es<\/li><li><strong>Tiago Martins<\/strong><br>University of Coimbra, Portugal<br>tiagofm(at)dei.uc.pt<\/li><\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Publication Chair<\/h2>\n\n\n\n<ul><li><strong>Nereida Rodr\u00edguez-Fern\u00e1ndez<\/strong><br>University of A Coru\u00f1a, Spain<br>nereida.rodriguezf(at)udc.es<\/li><\/ul>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Areas of Interest and Contributions<\/strong><\/h2>\n\n\n\n<p>Submissions should concern the use of Artificial Intelligence techniques (e.g. Evolutionary Computation, Artificial Neural Networks, Artificial Life, Machine Learning, Deep Learning, Swarm Intelligence) in the generation, analysis and interpretation of Art, Music, Design, Architecture and other artistic fields. Topics of interest include, but are not limited to:<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Generation<\/strong><\/h4>\n\n\n\n<ul><li>Systems that create drawings, images, animations, sculptures, poetry, text, designs, webpages, buildings, etc.;<\/li><li>Systems that create musical pieces, sounds, instruments, voices, sound effects, sound analysis, etc.;<\/li><li>Systems that create artefacts such as game content, architecture, furniture, based on aesthetic and functional criteria;<\/li><li>Robotic-based Evolutionary Art and Music;<\/li><li>Other related artificial intelligence or generative techniques in the fields of Computer Music, Computer Art, etc.<\/li><\/ul>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Theory<\/strong><\/h4>\n\n\n\n<ul><li>Computational Aesthetics, Experimental Aesthetics; Emotional Response, Surprise, Novelty;<\/li><li>Representation techniques;<\/li><li>Surveys of the current state-of-the-art in the area; identification of weaknesses and strengths; comparative analysis and classification;<\/li><li>Validation methodologies;<\/li><li>Studies on the applicability of these techniques to related areas;<\/li><li>New models designed to promote the creative potential of biologically inspired computation.<\/li><\/ul>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Computer Aided Creativity and Computational Creativity<\/strong><\/h4>\n\n\n\n<ul><li>Systems in which artificial intelligence is used to promote the creativity of a human user;<\/li><li>New ways of integrating the user in the evolutionary cycle;<\/li><li>Analysis and evaluation of: the artistic potential of biologically inspired art and music; the artistic processes inherent to these approaches; the resulting artefacts;<\/li><li>Collaborative distributed artificial art environments.<\/li><\/ul>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Automation<\/strong><\/h4>\n\n\n\n<ul><li>Techniques for automatic fitness assignment;<\/li><li>Systems in which an analysis or interpretation of the artworks is used in conjunction with artificial intelligence techniques to produce novel objects;<\/li><li>Systems that resort to artificial intelligence approaches to perform the analysis of image, music, sound, sculpture, or some other types of artistic object or resource.<\/li><\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">EvoMUSART Index<\/h2>\n\n\n\n<p>A website was made available with all the information on all EvoMUSART papers since 2003. The idea is to bring together all the publications in a handy web page that allows the visitors to navigate through all papers, best papers, authors, keywords, and years of the conference, while providing quick access to the Springer\u2019s web page links. Feel free to explore, search and bookmark: <a href=\"https:\/\/evomusart-index.dei.uc.pt\/\">evomusart-index.dei.uc.pt<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Submission Details<\/h2>\n\n\n\n<p>Accepted papers will be presented orally or as posters at the event and included in the evo* proceedings, published by Springer Nature in a dedicated volume of the Lecture Notes in Computer Science series. Submissions will be rigorously reviewed for scientific and artistic merit. Submitters are strongly encouraged to provide in all papers a link for download of media demonstrating their results, whether music, images, video, or other media types. The reviewing process will be <strong style=\"font-size: larger\">double-blind. Please omit information about the authors in the submitted paper<\/strong>. Links should be anonymised for double-blind review. Submissions must be at most 16 A4 pages long, in <a href=\"http:\/\/www.springer.com\/computer\/lncs?SGWID=0-164-6-793341-0\">Springer LNCS format<\/a>. <\/p>\n\n\n\n<p><strong>Paper limit:<\/strong> 16 pages<\/p>\n\n\n\n<p><strong>Submission link<\/strong>: <a rel=\"noreferrer noopener\" href=\"https:\/\/easychair.org\/my\/conference?conf=evo2021\" target=\"_blank\">https:\/\/easychair.org\/my\/conference?conf=evo2021<\/a><\/p>\n\n\n\n<p>The authors of accepted papers will have to improve their paper on the basis of the reviewers\u2019 comments and will be asked to send a camera ready version of their manuscripts (deadline in <strong>3 February 2021<\/strong>). At least one author of each accepted work has to register for the conference not later than <strong>19 February 2021<\/strong>, attend the conference and present the work. The acceptance rate at EvoMUSART 2020 was 39% for papers accepted for long talks and 10% for short talks.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Programme Committee<\/h2>\n\n\n\n<p><strong>Mauro Annunziato<\/strong>, ENEA, Italy<br><strong>Aur\u00e9lien Antoine<\/strong>, McGill University, Canada<br><strong>Daniel Ashlock<\/strong>, University of Guelph, Canada<br><strong>Peter Bentley<\/strong>, University College London, UK<br><strong>Gilberto Bernardes<\/strong>, University of Porto, Portugal<br><strong>Eleonora Bilotta<\/strong>, University of Calabria, Italy<br><strong>Daniel Bisig<\/strong>, Zurich University of the Arts, Switzerland<br><strong>Tim Blackwell<\/strong>, Goldsmiths, University of London, UK<br><strong>Jean-Pierre Briot<\/strong>, Pierre and Marie Curie University, France &amp; Pontifical Catholic University of Rio de Janeiro, Brasil<br><strong>Andrew Brown<\/strong>, Griffith University, Australia<br><strong>Marcelo Caetano<\/strong>, McGill University, Canada<br><strong>Amilcar Cardoso<\/strong>, University of Coimbra, Portugal<br><strong>Luz Castro Pena<\/strong>, University of A Coru\u00f1a, Spain<br><strong>Carmine Emanuele Cella<\/strong>, University of Bologna, Italy<br><strong>Bing Yen Chang<\/strong>, The Hong Kong University of Science and Tecnology (HKUST), China<br><strong>Vic Ciesielski<\/strong>, RMIT University, Australia<br><strong>Jo\u00e3o Correia<\/strong>, University of Coimbra, Portugal<br><strong>Pedro Cruz<\/strong>, Northeastern University, USA<br><strong>Camilo Cruz Gambardella<\/strong>, Monash University, Australia<br><strong>Jo\u00e3o Miguel Cunha<\/strong>, University of Coimbra, Portugal<br><strong>David De Roure<\/strong>, University of Oxford, UK<br><strong>Hans Dehlinger<\/strong>, University of Kassel, Germany<br><strong>Eelco den Heijer<\/strong>, VU University Amsterdam, Netherlands<br><strong>Alan Dorin<\/strong>, Monash University, Australia<br><strong>Arne Eigenfeldt<\/strong>, Simon Fraser University, Canada<br><strong>Aniko Ekart<\/strong>, Aston University, UK<br><strong>Jos\u00e9 Fornari<\/strong>, University of Campinas (UNICAMP), Brasil<br><strong>Philip Galanter<\/strong>, Texas A&amp;M University, USA<br><strong>Carlos Grilo<\/strong>, Polytechnic Institute of Leiria (IPL), Portugal<br><strong>Andrew Horner<\/strong>, The Hong Kong University of Science and Tecnology (HKUST), China<br><strong>Takashi Ikegami<\/strong>, The University of Tokyo, Japan<br><strong>Troy Innocent<\/strong>, RMIT University, Australia<br><strong>Jo\u00e3o Jacob<\/strong>, University of Porto, Portugal<br><strong>Colin Johnson<\/strong>, University of Nottingham, UK<br><strong>Daniel Jones<\/strong>, Goldsmiths, University of London, UK<br><strong>Anna Jordanous<\/strong>, University of Kent, UK<br><strong>Amy K. Hoover<\/strong>, New Jersey Institute of Technology, USA<br><strong>Maximos Kaliakatsos-Papakostas<\/strong>, University of Thessaloniki, Greece<br><strong>Max Kreminski<\/strong>, University of California, USA<br><strong>Cristobal Kubli<\/strong>, The University of Texas at Dallas, USA<br><strong>Cheuk Nam Lau<\/strong>, The Hong Kong University of Science and Tecnology (HKUST), China<br><strong>Man Hei Law<\/strong>, The Hong Kong University of Science and Tecnology (HKUST), China<br><strong>Matthew Lewis<\/strong>, Ohio State University, USA<br><strong>Carlos Le\u00f3n<\/strong>, Complutense University of Madrid, Spain<br><strong>Antonios Liapis<\/strong>, University of Malta, Republic of Malta<br><strong>Alain Lioret<\/strong>, Paris Diderot University, France<br><strong>Duri Long<\/strong>, Georgia Institute of Technology, USA<br><strong>Roisin Loughran<\/strong>, Dundalk Institute of Technology (DkIT), Ireland<br><strong>Penousal Machado<\/strong>, University of Coimbra, Portugal<br><strong>Bill Manaris<\/strong>, College of Charleston, USA<br><strong>Tiago Martins<\/strong>, University of Coimbra, Portugal<br><strong>Jon McCormack<\/strong>, Monash University, Australia<br><strong>Rolando Miragaia<\/strong>, Polytechnic Institute of Leiria (IPL), Portugal<br><strong>Eduardo Miranda<\/strong>, University of Plymouth, UK<br><strong>Nicolas Monmarch\u00e9<\/strong>, University of Tours, France<br><strong>Marcos Nadal<\/strong>, University of the Balearic Islands, Spain<br><strong>Mar\u00eda Navarro<\/strong>, University of Salamanca, Spain<br><strong>Aneta Neumann<\/strong>, The University of Adelaide, Australia<br><strong>Michael O&#8217;Neill<\/strong>, University College Dublin, Ireland<br><strong>Devi Parikh<\/strong>, Facebook AI Research &amp; Georgia Tech, Georgia<br><strong>Marcelo Petry<\/strong>, INESC TEC, UFSC, INESC P&amp;D, Brasil<br><strong>Somnuk Phon-Amnuaisuk<\/strong>, University of Technology Brunei, Brunei<br><strong>Jane Prophet<\/strong>, University of Michigan, USA<br><strong>S\u00e9rgio Rebelo<\/strong>, University of Coimbra, Portugal<br><strong>Gustavo Reis<\/strong>, Polytechnic Institute of Leiria (IPL), Portugal<br><strong>Nereida Rodr\u00edguez<\/strong>, University of A Coru\u00f1a, Spain<br><strong>Juan Romero<\/strong>, University of A Coru\u00f1a, Spain<br><strong>Brian Ross<\/strong>, Brock University, Canada<br><strong>Jonathan E. Rowe<\/strong>, University of Birmingham, UK<br><strong>Iria Santos<\/strong>, University of A Coru\u00f1a, Spain<br><strong>Rob Saunders<\/strong>, Leiden University, Netherlands<br><strong>Marco Scirea<\/strong>, University of Southern Denmark, Denmark<br><strong>Daniel Silva<\/strong>, University of Porto, Portugal<br><strong>Kivan\u00e7 Tatar<\/strong>, Simon Fraser University, Canada<br><strong>Luis Teixeira<\/strong>, Fraunhofer AICOS, Portugal<br><strong>Stephen Todd<\/strong>, Goldsmiths, University of London, UK<br><strong>Julian Togelius<\/strong>, New York University, USA<br><strong>Hannu Tolvonen<\/strong>, University of Helsinki, Finland<br><strong>\u00c1lvaro Torrente Pati\u00f1o<\/strong>, University of A Coru\u00f1a, Spain<br><strong>Paulo Urbano<\/strong>, University of Lisbon, Portugal<br><strong>Anna Ursyn<\/strong>, University of Northern Colorado, USA<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Following the success of previous events and the importance of the field of Artificial Intelligence applied to Music, Sound, Art and Design, EvoMUSART has become an evo* conference with independent proceedings since 2012. Thus, EvoMUSART 2021 is the 10th International Conference on Artificial Intelligence in Music, Sound, Art and Design. The use of Artificial Intelligence [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-notitle.php","meta":{"footnotes":""},"_links":{"self":[{"href":"http:\/\/www.evostar.org\/2021\/wp-json\/wp\/v2\/pages\/84"}],"collection":[{"href":"http:\/\/www.evostar.org\/2021\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.evostar.org\/2021\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.evostar.org\/2021\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"http:\/\/www.evostar.org\/2021\/wp-json\/wp\/v2\/comments?post=84"}],"version-history":[{"count":74,"href":"http:\/\/www.evostar.org\/2021\/wp-json\/wp\/v2\/pages\/84\/revisions"}],"predecessor-version":[{"id":1966,"href":"http:\/\/www.evostar.org\/2021\/wp-json\/wp\/v2\/pages\/84\/revisions\/1966"}],"wp:attachment":[{"href":"http:\/\/www.evostar.org\/2021\/wp-json\/wp\/v2\/media?parent=84"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}