{"id":963,"date":"2020-02-28T23:00:16","date_gmt":"2020-02-28T22:00:16","guid":{"rendered":"http:\/\/www.evostar.org\/2020\/?page_id=963"},"modified":"2022-04-01T22:27:09","modified_gmt":"2022-04-01T20:27:09","slug":"evomusart-accepted-papers","status":"publish","type":"page","link":"http:\/\/www.evostar.org\/2022\/evomusart-accepted-papers\/","title":{"rendered":"EvoMUSART Accepted Papers"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\">Long Talks<\/h3>\n\n\n\n<ul><li>Translating Emotions from EEG to Visual Arts<br><em>Piera Riccio, Francesco Galati, Maria A. Zuluaga, Juan Carlos De Martin and Stefano Nichele<\/em><\/li><li>SpeechTyper: From Speech to Typographic Compositon<br><em>J\u00e9ssica Parente, Tiago Martins, Jo\u00e3o Bicker and Penousal Machado<\/em><\/li><li>Co-Creative Product Design with Interactive Evolutionary Algorithms: A Practice-Based Reflection<br><em>Severi Uusitalo, Anna Kantosalo, Antti Salovaara, Tapio Takala and Christian Guckelsberger<\/em><\/li><li>EvoDesigner: towards aiding creativity in graphic design<br><em>Daniel Lopes, Jo\u00e3o Correia and Penousal Machado<\/em><\/li><li>Lamuse: Leveraging Artificial Intelligence for Sparking Inspiration<br><em>Bart Lamiroy and Emmanuelle Potier<\/em><\/li><li>Painting with Evolutionary Algorithms<br><em>Danny Dijkzeul, Nielis Brouwer, Iris Pijning, Levi Koppenhol and Daan van den Berg<\/em><\/li><li>Evolutionary Construction of Stories that Combine Several Plot Lines<br><em>Pablo Gerv\u00e1s, Eugenio Concepcion and Gonzalo Mendez<\/em><\/li><li>Modern Evolution Strategies for Creativity: Fitting Concrete Images and Abstract Concepts<br><em>Yingtao Tian and David Ha<\/em><\/li><li>Aesthetic Evaluation of  Experimental Stimuli Using  Spatial Complexity and  Kolmogorov Complexity<br><em>Mohammad Ali Javaheri Javid<\/em><\/li><li>SonOpt: Sonifying Bi-objective Population-Based Optimization Algorithms<br><em>Tasos Asonitis, Richard Allmendinger, Matt Benatan and Ricardo Climent<\/em><\/li><li>Fashion Style Generation: Evolutionary Search with Gaussian Mixture Models in the Latent Space<br><em>Imke Grabe, Jichen Zhu and Manex Agirrezabal<\/em><\/li><li>Emotion-Driven Interactive Storytelling: Let Me Tell You How to Feel<br><em>Oneris Daniel Rico Garcia, Javier Fernandez Fernandez, Rafael Andres Becerra Saldana and Olaf Witkowski<\/em><\/li><li>Sound Model Factory: An Integrated System Architecture for Generative Audio Modelling<br><em>Lonce Wyse, Purnima Kamath and Chitralekha Gupta<\/em><\/li><li>Classification of Guitar Effects and Extraction of their Parameter Settings from Instrument Mixes Using Convolutional Neural Networks<br><em>Reemt Hinrichs, Kevin Gerkens and J\u00f6rn Ostermann<\/em><\/li><li>A Systematic Evaluation of GPT-2-based Music Generation<br><em>Berker Banar and Simon Colton<\/em><\/li><li>Towards the Generation of Musical Explanations with GPT-3<br><em>Stephen Krol, Maria Teresa Llano and Jon McCormack<\/em><\/li><li>Music Style Transfer Using Constant-Q Transform Spectrograms<br><em>Tyler McAllister and Bj\u00f6rn Gamb\u00e4ck<\/em><\/li><li>Conditional Drums Generation using Compound Word Representations<br><em>Dimos Makris, Zixun Guo, Maximos Kaliakatsos-Papakostas and Dorien Herremans<\/em><\/li><li>A Creative Tool for the Musician Combining LSTM and Markov Chains in Max\/MSP<br><em>Nicola Privato, Omar Rampado and Alberto Novello<\/em><\/li><li>Expressive Aliens &#8211; Laban Effort Factors for Non-Anthropomorphic Morphologies<br><em>Daniel Bisig<\/em><\/li><\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Short Talks<\/h3>\n\n\n\n<ul><li>Quality-diversity for aesthetic evolution<br><em>Jon McCormack and Camilo Cruz Gambardella<\/em><\/li><li>MusIAC: An extensible generative framework for Music Infilling Applications with multi-level Control<br><em>Rui Guo, Ivor Simpton, Chris Kiefer, Thor Magnusson and Dorien Herremans<\/em><\/li><li>Generating novel furniture with machine learning<br><em>Nelson Vermeer and Andrew Brown<\/em><\/li><li>An Application of Neural Embedding Models for Representing Artistic Periods<br><em>Rao Hamza Ali, Katie Rodeghiero, Alexa Zuch, Saniya Syed and Erik Linstead<\/em><\/li><li>Classifying Biometric Data for Musical Interaction within Virtual Reality<br><em>Chris Rhodes, Richard Allmendinger and Ricardo Climent<\/em><\/li><li>A Study on Noise, Complexity, and Audio Aesthetics<br><em>Stefano Kalonaris<\/em><\/li><\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Long Talks Translating Emotions from EEG to Visual ArtsPiera Riccio, Francesco Galati, Maria A. Zuluaga, Juan Carlos De Martin and Stefano Nichele SpeechTyper: From Speech to Typographic CompositonJ\u00e9ssica Parente, Tiago Martins, Jo\u00e3o Bicker and Penousal Machado Co-Creative Product Design with Interactive Evolutionary Algorithms: A Practice-Based ReflectionSeveri Uusitalo, Anna Kantosalo, Antti Salovaara, Tapio Takala and Christian [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"http:\/\/www.evostar.org\/2022\/wp-json\/wp\/v2\/pages\/963"}],"collection":[{"href":"http:\/\/www.evostar.org\/2022\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.evostar.org\/2022\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.evostar.org\/2022\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"http:\/\/www.evostar.org\/2022\/wp-json\/wp\/v2\/comments?post=963"}],"version-history":[{"count":7,"href":"http:\/\/www.evostar.org\/2022\/wp-json\/wp\/v2\/pages\/963\/revisions"}],"predecessor-version":[{"id":1901,"href":"http:\/\/www.evostar.org\/2022\/wp-json\/wp\/v2\/pages\/963\/revisions\/1901"}],"wp:attachment":[{"href":"http:\/\/www.evostar.org\/2022\/wp-json\/wp\/v2\/media?parent=963"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}