{"id":84,"date":"2019-06-06T01:56:07","date_gmt":"2019-06-05T23:56:07","guid":{"rendered":"http:\/\/localhost:8080\/?page_id=84"},"modified":"2022-04-17T12:20:59","modified_gmt":"2022-04-17T10:20:59","slug":"evomusart","status":"publish","type":"page","link":"https:\/\/www.evostar.org\/2022\/evomusart\/","title":{"rendered":"EvoMUSART"},"content":{"rendered":"\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"http:\/\/www.evostar.org\/2022\/wp-content\/uploads\/2021\/06\/evo2022_conf_3-1024x512.png\" alt=\"evomusart logotype\" class=\"wp-image-396\"\/><\/figure>\n\n\n\n<p>The 11th International Conference on Artificial Intelligence in Music, Sound, Art and Design (EvoMUSART) 2022 is a multidisciplinary conference that brings together researchers who are working on the application of Artificial Intelligence techniques in creative and artist fields.<\/p>\n\n\n\n<p>There is a growing interest in the application of Artificial Neural Networks, Evolutionary Computation, Swarm Intelligence, Cellular Automata, Alife, and other Artificial Intelligence techniques in fields such as: visual art and music generation, analysis, and interpretation; sound synthesis; architecture; video; poetry; design; and other creative tasks. Therefore, the use of Artificial Intelligence in such creative domains became a significant and exciting area of research. EvoMUSART provides the opportunity to present, discuss and promote innovative contributions and ongoing work in the area.&nbsp;<\/p>\n\n\n\n<p>Following the success of previous events and the importance of the field of Artificial Intelligence applied to music, sound, art and design, EvoMUSART has become an evo* conference with independent proceedings since 2012. The&nbsp;<a href=\"https:\/\/link.springer.com\/conference\/evomusart\">EvoMUSART proceedings<\/a>&nbsp;have been published in Springer Lecture Notes in Computer Science (LNCS).<\/p>\n\n\n\n<p>Download the <a href=\"http:\/\/www.evostar.org\/2022\/wp-content\/uploads\/2021\/11\/evo2022_evoMUSART_flyer_AF_03_extended_V_1_11_21.pdf\">CFP in PDF from here.<\/a><\/p>\n\n\n\n<p><strong><span class=\"has-inline-color has-vivid-red-color\">NEW<\/span><\/strong>: The proceedings of EvoMUSART are available following <a href=\"https:\/\/link.springer.com\/book\/10.1007\/978-3-031-03789-4\">this link<\/a>.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Special Issue<\/strong><\/h2>\n\n\n\n<p>Tiago Martins, Jo\u00e3o Correia and Nereida Rodr\u00edguez-Fern\u00e1ndez will publish a Special Issue on &#8220;Artificial&nbsp;Intelligence and Complexity in Art, Music, Games and Design III&#8221; for the 11th International Conference on&nbsp;Artificial Intelligence in Music, Sound, Art and Design.&nbsp;Entropy journal has already published the special issues entitled&nbsp;\u201cArtificial Intelligence and Complexity in Art, Music, Games and Design\u201d&nbsp;for EvoMUSART 2020 (<a class=\"\" href=\"https:\/\/www.mdpi.com\/journal\/entropy\/special_issues\/ai_complexity\">Volume 1<\/a>) and EvoMUSART 2021 (<a class=\"\" href=\"https:\/\/www.mdpi.com\/journal\/entropy\/special_issues\/ai_complexity_II\">Volume 2<\/a>). All the papers accepted in EvoMUSART 2022 are&nbsp;encouraged to submit to this Special Issue.<\/p>\n\n\n\n<p>Special Issue&nbsp;URL:&nbsp;<a class=\"\" href=\"https:\/\/www.mdpi.com\/journal\/entropy\/special_issues\/ai_complexity_III\">https:\/\/www.mdpi.com\/journal\/entropy\/special_issues\/ai_complexity_III<\/a><\/p>\n\n\n\n<p>Instructions for authors:&nbsp;<a class=\"\" href=\"https:\/\/www.mdpi.com\/journal\/entropy\/instructions\">https:\/\/www.mdpi.com\/journal\/entropy\/instructions<\/a><\/p>\n\n\n\n<p>Deadline for manuscript submissions:&nbsp;<strong>15 August 2022<\/strong><\/p>\n\n\n\n<p>Entropy (IF 2.524; JCR Q2; ISSN 1099-4300) is an international and&nbsp;interdisciplinary peer-reviewed open access journal that maintains a&nbsp;rigorous and fast peer review system with a median publication time of&nbsp;38 days from submission to online publication. It is fully covered by the&nbsp;leading indexing and abstracting services, including Scopus, PubMed,&nbsp;PMC and SCIE (Web of Science). You can easily find the aims and scope,&nbsp;board member list, published papers, and much more on the&nbsp;<a class=\"\" href=\"https:\/\/www.mdpi.com\/journal\/entropy\">Entropy&nbsp;webpage<\/a>.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Conference Chairs<\/h2>\n\n\n\n<ul><li><strong>Tiago Martins<\/strong><br>University of Coimbra, Portugal<br>tiagofm(at)dei.uc.pt<\/li><li><strong>Nereida Rodr\u00edguez-Fern\u00e1ndez<\/strong><br>University of A Coru\u00f1a, Spain<br>nereida.rodriguezf(at)udc.es<\/li><\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Publication Chair<\/h2>\n\n\n\n<ul><li><strong>S\u00e9rgio Rebelo<\/strong><br>\nUniversity of Coimbra, Portugal<br>\nsrebelo(at)dei.uc.pt<\/li><\/ul>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Areas of Interest and Contributions<\/strong><\/h2>\n\n\n\n<p>Submissions should concern the use of Artificial Intelligence techniques (<em>e.g.<\/em>&nbsp;Evolutionary Computation, Artificial Neural Networks, Artificial Life, Machine Learning, Deep Learning, Swarm Intelligence) in the generation, analysis and interpretation of art, music, design, architecture and other creative and artistic fields. Topics of interest include, but are not limited to:<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Generation<\/strong><\/h4>\n\n\n\n<ul><li>Systems that create drawings, images, animations, sculptures, poetry, text, designs, webpages, buildings,&nbsp;<em>etc.<\/em>;<\/li><li>Systems that create musical pieces, sounds, instruments, voices, sound effects, sound analysis,<em>&nbsp;etc.<\/em>;<\/li><li>Systems that create artefacts such as game content, architecture, furniture, based on aesthetic and functional criteria;<\/li><li>Robotic-based Evolutionary Art and Music;<\/li><li>Other related artificial intelligence or generative techniques in the fields of Computer Music, Computer Art,&nbsp;<em>etc.<\/em><\/li><\/ul>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Automation<\/strong><\/h4>\n\n\n\n<ul><li>Techniques for automatic fitness assignment;<\/li><li>Systems in which an analysis or interpretation of the artworks is used in conjunction with artificial intelligence techniques to produce novel objects;<\/li><li>Systems that resort to artificial intelligence approaches to perform the analysis of image, music, sound, sculpture, or some other types of artistic object or resource.<\/li><\/ul>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Computer Aided Creativity and Computational Creativity<\/strong><\/h4>\n\n\n\n<ul><li>Systems in which artificial intelligence is used to promote the creativity of a human user;<\/li><li>New ways of integrating the user in the evolutionary cycle;<\/li><li>Analysis and evaluation of: the artistic potential of biologically inspired art and music; the artistic processes inherent to these approaches; the resulting artefacts;<\/li><li>Collaborative distributed artificial art environments.<\/li><\/ul>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Theory<\/strong><\/h4>\n\n\n\n<ul><li>Computational Aesthetics, Experimental Aesthetics; Emotional Response, Surprise, Novelty;<\/li><li>Representation techniques;<\/li><li>Surveys of the current state-of-the-art in the area; identification of weaknesses and strengths; comparative analysis and classification;<\/li><li>Validation methodologies;<\/li><li>Studies on the applicability of these techniques to related areas;<\/li><li>New models designed to promote the creative potential of biologically inspired computation.<\/li><\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">EvoMUSART Index<\/h2>\n\n\n\n<p>The&nbsp;<a href=\"https:\/\/evomusart-index.dei.uc.pt\/\">EvoMUSART Index<\/a>&nbsp;gathers the information on all EvoMUSART papers since 2003. The idea is to bring together all the publications in a handy web page that allows the visitors to navigate through all papers, best papers, authors, keywords, and years of the conference while providing quick access to Springer\u2019s web page links. Feel free to explore, search and bookmark this web page.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Submission Details<\/h2>\n\n\n\n<p>Accepted papers will be presented orally or as posters at the event and included in the evo* proceedings, published by Springer Nature in a dedicated volume of the Lecture Notes in Computer Science series. Submissions will be rigorously reviewed for scientific and artistic merit. Submitters are strongly encouraged to provide in all papers a link for download of media demonstrating their results, whether music, images, video, or other media types.&nbsp;<strong>The reviewing process will be double-blind<\/strong>, so please omit information about the authors in the submitted paper and anonymise links for double-blind review. Submissions must be at most 16 A4 pages long, in&nbsp;<a href=\"http:\/\/www.springer.com\/computer\/lncs?SGWID=0-164-6-793341-0\">Springer LNCS format<\/a>.<\/p>\n\n\n\n<p><strong>Paper limit:<\/strong>&nbsp;16 pages<\/p>\n\n\n\n<p><strong>Submission link<\/strong>:&nbsp;<a href=\"https:\/\/easychair.org\/conferences\/?conf=evo2022\">https:\/\/easychair.org\/conferences\/?conf=evo2022<\/a><\/p>\n\n\n\n<p>The authors of accepted papers will have to improve their papers based on the reviewers\u2019 comments and will be asked to send a camera-ready version of their manuscripts (notifications will be sent on <strong>26 January, 2022<\/strong> and the camera-ready deadline will be on <strong>9 February, 2022<\/strong>). At least one author of each accepted work has to register for the conference no later than <strong>7 March 2022<\/strong>, attend the conference and present the work. The acceptance rate at EvoMUSART 2021 was 36% for papers accepted for long talks and 11% for short talks.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Programme Committee<\/h2>\n\n\n\n<p><strong>Mauro Annunziato<\/strong>, ENEA, Italy<br>\n<strong>Aur\u00e9lien Antoine<\/strong>, McGill University, Canada<br>\n<strong>Peter Bentley<\/strong>, University College London, UK<br>\n<strong>Gilberto Bernardes<\/strong>, University of Porto, Portugal<br>\n<strong>Eleonora Bilotta<\/strong>, University of Calabria, Italy<br>\n<strong>Daniel Bisig<\/strong>, Zurich University of the Arts, Switzerland<br>\n<strong>Tim Blackwell<\/strong>, Goldsmiths, University of London, UK<br>\n<strong>Jean-Pierre Briot<\/strong>, Sorbonne University &amp; Pontifical Catholic University of Rio de Janeiro, France &amp; Brazil<br>\n<strong>Andrew Brown<\/strong>, Griffith University, Australia<br>\n<strong>Marcelo Caetano<\/strong>, McGill University, Canada<br>\n<strong>Amilcar Cardoso<\/strong>, University of Coimbra, Portugal<br>\n<strong>Peter Cariani<\/strong>, University of Binghamton, USA<br>\n<strong>Bing Yen Chang<\/strong>, The Hong Kong University of Science and Technology, China<br>\n<strong>Vic Ciesielski<\/strong>, RMIT University, Australia<br>\n<strong>Jo\u00e3o Correia<\/strong>, University of Coimbra, Portugal<br>\n<strong>Camilo Cruz Gambardella<\/strong>, Monash University, Australia<br>\n<strong>Jo\u00e3o Miguel Cunha<\/strong>, University of Coimbra, Portugal<br>\n<strong>Pedro M. Cruz<\/strong>, Northeastern University, USA<br>\n<strong>Palle Dahlstedt<\/strong>, University of Gothenburg, Sweden<br>\n<strong>Hans Dehlinger<\/strong>, University of Kassel, Germany<br>\n<strong>Georgios Diapoulis<\/strong>, Chalmers University of Technology, Sweden<br>\n<strong>Edward Easton<\/strong>, Aston University, UK<br>\n<strong>Arne Eigenfeldt<\/strong>, Simon Fraser University, Canada<br>\n<strong>Aniko Ekart<\/strong>, Aston University, UK<br>\n<strong>Jos\u00e9 Fornari<\/strong>, University of Campinas, Brazil<br>\n<strong>Philip Galanter<\/strong>, Texas A&amp;M University, USA<br>\n<strong>Pablo Gerv\u00e1s<\/strong>, Universidad Complutense de Madrid, Spain<br>\n<strong>Carlos Grilo<\/strong>, Polytechnic Institute of Leiria, Portugal<br>\n<strong>Andrew Horner<\/strong>, The Hong Kong University of Science and Technology, China<br>\n<strong>Takashi Ikegami<\/strong>, The University of Tokyo, Japan<br>\n<strong>Troy Innocent<\/strong>, RMIT University, Australia<br>\n<strong>Colin Johnson<\/strong>, University of Nottingham, UK<br>\n<strong>Anna Jordanous<\/strong>, University of Kent, UK<br>\n<strong>Maximos Kaliakatsos-Papakostas<\/strong>, University of Thessaloniki, Greece<br>\n<strong>Max Kreminski<\/strong>, University of California, USA<br>\n<strong>Man Hei Law<\/strong>, Hong Kong University of Science and Technology, China<br>\n<strong>John P. Lewis<\/strong>, Weta Digital, Victoria University, Australia<br>\n<strong>Matthew Lewis<\/strong>, Ohio State University, USA<br>\n<strong>Antonios Liapis<\/strong>, University of Malta, Republic of Malta<br>\n<strong>Alain Lioret<\/strong>, Paris Diderot University, France<br>\n<strong>Penousal Machado<\/strong>, University of Coimbra, Portugal<br>\n<strong>Sebastian von Mammen<\/strong>, Julius-Maximilians University W\u00fcrzburg, Germany<br>\n<strong>Pedro Martins<\/strong>, University of Coimbra, Portugal<br>\n<strong>Jon McCormack<\/strong>, Monash University, Australia<br>\n<strong>Michael O\u2019Neill<\/strong>, University College Dublin, Ireland<br>\n<strong>Luz Castro Pena<\/strong>, University of A Coru\u00f1a, Spain<br>\n<strong>Somnuk Phon-Amnuaisuk<\/strong>, University of Technology Brunei, Brunei<br>\n<strong>Juan Romero<\/strong>, University of A Coru\u00f1a, Spain<br>\n<strong>Brian Ross<\/strong>, Brock University, Canada<br>\n<strong>Jonathan E. Rowe<\/strong>, University of Birmingham, UK<br>\n<strong>Guenter Rudolph<\/strong>, TU Dortmund University, Germany<br>\n<strong>Iria Santos<\/strong>, University of A Coru\u00f1a, Spain<br>\n<strong>Rob Saunders<\/strong>, Leiden University, Netherlands<br>\n<strong>Marco Scirea<\/strong>, University of Southern Denmark, Denmark<br>\n<strong>Daniel Silva<\/strong>, University of Porto, Portugal<br>\n<strong>K\u0131van\u00e7 Tatar<\/strong>, Simon Fraser University, Canada<br>\n<strong>Luis Teixeira<\/strong>, Fraunhofer AICOS, Portugal<br>\n<strong>Stephen Todd<\/strong>, Goldsmiths, University of London, UK<br>\n<strong>Alvaro Torrente<\/strong>, University of A Coru\u00f1a, Spain<br>\n<strong>Paulo Urbano<\/strong>, University of Lisbon, Portugal<br>\n<strong>Anna Ursyn<\/strong>, University of Northern Colorado, USA<br>\n<strong>Igor Vatolkin<\/strong>, TU Dortmund University, Germany<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The 11th International Conference on Artificial Intelligence in Music, Sound, Art and Design (EvoMUSART) 2022 is a multidisciplinary conference that brings together researchers who are working on the application of Artificial Intelligence techniques in creative and artist fields. There is a growing interest in the application of Artificial Neural Networks, Evolutionary Computation, Swarm Intelligence, Cellular [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-notitle.php","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/www.evostar.org\/2022\/wp-json\/wp\/v2\/pages\/84"}],"collection":[{"href":"https:\/\/www.evostar.org\/2022\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.evostar.org\/2022\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.evostar.org\/2022\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/www.evostar.org\/2022\/wp-json\/wp\/v2\/comments?post=84"}],"version-history":[{"count":71,"href":"https:\/\/www.evostar.org\/2022\/wp-json\/wp\/v2\/pages\/84\/revisions"}],"predecessor-version":[{"id":1976,"href":"https:\/\/www.evostar.org\/2022\/wp-json\/wp\/v2\/pages\/84\/revisions\/1976"}],"wp:attachment":[{"href":"https:\/\/www.evostar.org\/2022\/wp-json\/wp\/v2\/media?parent=84"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}