{"id":84,"date":"2019-06-06T01:56:07","date_gmt":"2019-06-05T23:56:07","guid":{"rendered":"http:\/\/localhost:8080\/?page_id=84"},"modified":"2023-04-06T09:03:27","modified_gmt":"2023-04-06T07:03:27","slug":"evomusart","status":"publish","type":"page","link":"https:\/\/www.evostar.org\/2023\/evomusart\/","title":{"rendered":"EvoMUSART"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"512\" src=\"https:\/\/www.evostar.org\/2023\/wp-content\/uploads\/2022\/06\/evo_brno_2022_12-1024x512.png\" alt=\"\" class=\"wp-image-2096\" srcset=\"https:\/\/www.evostar.org\/2023\/wp-content\/uploads\/2022\/06\/evo_brno_2022_12-1024x512.png 1024w, https:\/\/www.evostar.org\/2023\/wp-content\/uploads\/2022\/06\/evo_brno_2022_12-300x150.png 300w, https:\/\/www.evostar.org\/2023\/wp-content\/uploads\/2022\/06\/evo_brno_2022_12-768x384.png 768w, https:\/\/www.evostar.org\/2023\/wp-content\/uploads\/2022\/06\/evo_brno_2022_12-1536x768.png 1536w, https:\/\/www.evostar.org\/2023\/wp-content\/uploads\/2022\/06\/evo_brno_2022_12-2048x1024.png 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>The 12th International Conference on Artificial Intelligence in Music, Sound, Art and Design (EvoMUSART) 2023 is a multidisciplinary conference that brings together researchers who are working on the application of Artificial Intelligence techniques in creative and artist fields.<\/p>\n\n\n\n<p>There is a growing interest in the application of Artificial Neural Networks, Evolutionary Computation, Swarm Intelligence, Cellular Automata, Alife, and other Artificial Intelligence techniques in fields such as: visual art and music generation, analysis, and interpretation; sound synthesis; architecture; video; poetry; design; and other creative tasks. Therefore, the use of Artificial Intelligence in such creative domains became a significant and exciting area of research. EvoMUSART provides the opportunity to present, discuss and promote innovative contributions and ongoing work in the area.&nbsp;<\/p>\n\n\n\n<p>Following the success of previous events and the importance of the field of Artificial Intelligence applied to music, sound, art and design, EvoMUSART has become an evo* conference with independent proceedings since 2012. The&nbsp;<a href=\"https:\/\/link.springer.com\/conference\/evomusart\">EvoMUSART proceedings<\/a>&nbsp;have been published in Springer Lecture Notes in Computer Science (LNCS).<\/p>\n\n\n\n<p>Download <a href=\"https:\/\/www.evostar.org\/2023\/wp-content\/uploads\/2022\/07\/evo2022-evomusart-flyers-prints-05062022-3.pdf\">the CFP in PDF<\/a>.<\/p>\n\n\n\n<p><strong><span class=\"has-inline-color has-vivid-red-color\">NEW:<\/span><\/strong> The proceedings of EvoMUSART 2023 are available following <a href=\"https:\/\/link.springer.com\/book\/10.1007\/978-3-031-29956-8\">this link<\/a>.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Conference Chairs<\/h2>\n\n\n\n<ul><li><strong>Colin Johnson<\/strong><br>University of Nottingham, United Kingdom<br>Colin.Johnson(at)nottingham.ac.uk<\/li><li><strong>Nereida Rodr\u00edguez-Fern\u00e1ndez<\/strong><br>University of A Coru\u00f1a, Spain<br>nereida.rodriguezf(at)udc.es<\/li><\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Publication Chair<\/h2>\n\n\n\n<ul><li><strong>S\u00e9rgio Rebelo<\/strong><br>\nUniversity of Coimbra, Portugal<br>\nsrebelo(at)dei.uc.pt<\/li><\/ul>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Areas of Interest and Contributions<\/strong><\/h2>\n\n\n\n<p>Submissions should concern the use of Artificial Intelligence techniques (<em>e.g.<\/em>&nbsp;Evolutionary Computation, Artificial Neural Networks, Artificial Life, Machine Learning, Deep Learning, Swarm Intelligence) in the generation, analysis and interpretation of art, music, design, architecture and other creative and artistic fields. Topics of interest include, but are not limited to:<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Generation<\/strong><\/h4>\n\n\n\n<ul><li>Systems that create drawings, images, animations, sculptures, poetry, text, designs, webpages, buildings,&nbsp;<em>etc.<\/em>;<\/li><li>Systems that create musical pieces, sounds, instruments, voices, sound effects, sound analysis,<em>&nbsp;etc.<\/em>;<\/li><li>Systems that create artefacts such as game content, architecture, furniture, based on aesthetic and functional criteria;<\/li><li>Robotic-based Evolutionary Art and Music;<\/li><li>Other related artificial intelligence or generative techniques in the fields of Computer Music, Computer Art,&nbsp;<em>etc.<\/em><\/li><\/ul>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Automation<\/strong><\/h4>\n\n\n\n<ul><li>Techniques for automatic fitness assignment;<\/li><li>Systems in which an analysis or interpretation of the artworks is used in conjunction with artificial intelligence techniques to produce novel objects;<\/li><li>Systems that resort to artificial intelligence approaches to perform the analysis of image, music, sound, sculpture, or some other types of artistic object or resource.<\/li><\/ul>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Computer Aided Creativity and Computational Creativity<\/strong><\/h4>\n\n\n\n<ul><li>Systems in which artificial intelligence is used to promote the creativity of a human user;<\/li><li>New ways of integrating the user in the evolutionary cycle;<\/li><li>Analysis and evaluation of: the artistic potential of biologically inspired art and music; the artistic processes inherent to these approaches; the resulting artefacts;<\/li><li>Collaborative distributed artificial art environments.<\/li><\/ul>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Theory<\/strong><\/h4>\n\n\n\n<ul><li>Computational Aesthetics, Experimental Aesthetics; Emotional Response, Surprise, Novelty;<\/li><li>Representation techniques;<\/li><li>Surveys of the current state-of-the-art in the area; identification of weaknesses and strengths; comparative analysis and classification;<\/li><li>Validation methodologies;<\/li><li>Studies on the applicability of these techniques to related areas;<\/li><li>New models designed to promote the creative potential of biologically inspired computation.<\/li><\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">EvoMUSART Index<\/h2>\n\n\n\n<p>The&nbsp;<a href=\"https:\/\/evomusart-index.dei.uc.pt\/\">EvoMUSART Index<\/a>&nbsp;gathers the information on all EvoMUSART papers since 2003. The idea is to bring together all the publications in a handy web page that allows the visitors to navigate through all papers, best papers, authors, keywords, and years of the conference while providing quick access to Springer\u2019s web page links. Feel free to explore, search and bookmark this web page.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Submission Details<\/h2>\n\n\n\n<p>Accepted papers will be presented orally or as posters at the event and included in the evo* proceedings, published by Springer Nature in a dedicated volume of the Lecture Notes in Computer Science series. Submissions will be rigorously reviewed for scientific and artistic merit. Submitters are strongly encouraged to provide in all papers a link for download of media demonstrating their results, whether music, images, video, or other media types.&nbsp;<strong>The reviewing process will be double-blind<\/strong>, so please omit information about the authors in the submitted paper and anonymise links for double-blind review. Submissions must be at most 16 A4 pages long, in&nbsp;<a href=\"http:\/\/www.springer.com\/computer\/lncs?SGWID=0-164-6-793341-0\">Springer LNCS format<\/a>.<\/p>\n\n\n\n<p><strong>Paper limit:<\/strong>&nbsp;16 pages<\/p>\n\n\n\n<p><strong>Submission link<\/strong>:&nbsp;<a href=\"https:\/\/easychair.org\/conferences\/?conf=evo2023\">https:\/\/easychair.org\/conferences\/?conf=evo2023<\/a><\/p>\n\n\n\n<p>The authors of accepted papers will have to improve their papers based on the reviewers\u2019 comments and will be asked to send a camera-ready version of their manuscripts (notifications will be sent on <strong>18 January, 2023<\/strong> and the camera-ready deadline will be on <strong>1 February, 2023<\/strong>). At least one author of each accepted work has to register for the conference no later than <strong>27 February 2023<\/strong>, attend the conference and present the work. The acceptance rate at EvoMUSART 2022 was 41% for papers accepted for long talks and 11% for short talks.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Programme Committee<\/h2>\n\n\n\n<p><strong>Mauro Annunziato<\/strong>, ENEA<br>\n<strong>Peter Bentley<\/strong>, University College London<br>\n<strong>Gilberto Bernardes<\/strong>, University of Porto<br>\n<strong>Ulysses Bernardet<\/strong>, Aston University<br>\n<strong>Daniel Bisig<\/strong>, Zurich University of the Arts<br>\n<strong>Tim Blackwell<\/strong>, Goldsmiths, University of London<br>\n<strong>Jean-Pierre Briot<\/strong>, Sorbonne University &amp; Pontifical Catholic University of Rio de Janeiro<br>\n<strong>Andrew Brown<\/strong>, Griffith University<br>\n<strong>Marcelo Caetano<\/strong>, McGill University<br>\n<strong>Amilcar Cardoso<\/strong>, University of Coimbra<br>\n<strong>Luz Castro Pena<\/strong>, University of A Coru\u00f1a<br>\n<strong>Vic Ciesielski<\/strong>, RMIT University<br>\n<strong>Simon Colton<\/strong>, Queen Mary University of London<br>\n<strong>Michael Cook<\/strong>, Falmouth University<br>\n<strong>Jo\u00e3o Correia<\/strong>, University of Coimbra<br>\n<strong>Pedro M. Cruz<\/strong>, Northeastern University<br>\n<strong>Camilo Cruz Gambardella<\/strong>, Monash University<br>\n<strong>Jo\u00e3o Miguel Cunha<\/strong>, University of Coimbra<br>\n<strong>Hans Dehlinger<\/strong>, University of Kassel<br>\n<strong>Georgios Diapoulis<\/strong>, Chalmers University of Technology<br>\n<strong>Edward Easton<\/strong>, Aston University<br>\n<strong>Arne Eigenfeldt<\/strong>, Simon Fraser University<br>\n<strong>Frederic Fol Leymarie<\/strong>, Goldsmiths, University of London<br>\n<strong>Jos\u00e9 Fornari<\/strong>, University of Campinas<br>\n<strong>Philip Galanter<\/strong>, Texas A&amp;M University<br>\n<strong>Bj\u00f6rn Gamb\u00e4ck<\/strong>, Norwegian University of Science and Technology<br>\n<strong>Pablo Gerv\u00e1s<\/strong>, Universidad Complutense de Madrid<br>\n<strong>Carlos Grilo<\/strong>, Polytechnic of Leiria<br>\n<strong>Andrew Horner<\/strong>, The Hong Kong University of Science and Technology<br>\n<strong>Takashi Ikegami<\/strong>, University of Tokyo<br>\n<strong>Anna Jordanous<\/strong>, University of Kent<br>\n<strong>Man Hei Law<\/strong>, The Hong Kong University of Science and Technology<br>\n<strong>Carlos Le\u00f3n<\/strong>, Universidad Complutense de Madrid<br>\n<strong>John P. Lewis<\/strong>, Weta Digital, Victoria University<br>\n<strong>Matthew Lewis<\/strong>, Ohio State University<br>\n<strong>Antonios Liapis<\/strong>, University of Malta<br>\n<strong>Alain Lioret<\/strong>, Paris Diderot University<br>\n<strong>Roisin Loughran<\/strong>, University College Dublin<br>\n<strong>Penousal Machado<\/strong>, University of Coimbra<br>\n<strong>Bill Manaris<\/strong>, College of Charleston<br>\n<strong>Tiago Martins<\/strong>, University of Coimbra<br>\n<strong>Jon McCormack<\/strong>, Monash University<br>\n<strong>Rolando Miragaia<\/strong>, Polytechnic of Leiria<br>\n<strong>Eduardo Miranda<\/strong>, University of Plymouth<br>\n<strong>Nicolas Monmarch\u00e9<\/strong>, University Fran\u00e7ois Rabelais of Tours<br>\n<strong>Mar\u00eda Navarro<\/strong>, University of Salamanca<br>\n<strong>Aneta Neumann<\/strong>, University of Adelaide<br>\n<strong>Michael O&#8217;Neill<\/strong>, University College Dublin<br>\n<strong>Somnuk Phon-Amnuaisuk<\/strong>, Universiti Teknologi Brunei<br>\n<strong>Jane Prophet<\/strong>, University of Michigan<br>\n<strong>Brian Ross<\/strong>, Brock University<br>\n<strong>Jonathan E. Rowe<\/strong>, University of Birmingham<br>\n<strong>Antonino Santos<\/strong>, University of A Coru\u00f1a<br>\n<strong>Iria Santos<\/strong>, University of A Coru\u00f1a<br>\n<strong>Marco Scirea<\/strong>, University of Southern Denmark<br>\n<strong>Daniel Silva<\/strong>, University of Porto<br>\n<strong>Luis Teixeira<\/strong>, Fraunhofer AICOS<br>\n<strong>Stephen Todd<\/strong>, Goldsmiths, University of London<br>\n<strong>Paulo Urbano<\/strong>, University of Lisbon<br>\n<strong>Anna Ursyn<\/strong>, University of Northern Colorado<br>\n<strong>Igor Vatolkin<\/strong>, TU Dortmund University<br>\n<strong>Sebastian von Mammen<\/strong>, Julius-Maximilians University W\u00fcrzburg<br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The 12th International Conference on Artificial Intelligence in Music, Sound, Art and Design (EvoMUSART) 2023 is a multidisciplinary conference that brings together researchers who are working on the application of Artificial Intelligence techniques in creative and artist fields. There is a growing interest in the application of Artificial Neural Networks, Evolutionary Computation, Swarm Intelligence, Cellular [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-notitle.php","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/www.evostar.org\/2023\/wp-json\/wp\/v2\/pages\/84"}],"collection":[{"href":"https:\/\/www.evostar.org\/2023\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.evostar.org\/2023\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.evostar.org\/2023\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/www.evostar.org\/2023\/wp-json\/wp\/v2\/comments?post=84"}],"version-history":[{"count":80,"href":"https:\/\/www.evostar.org\/2023\/wp-json\/wp\/v2\/pages\/84\/revisions"}],"predecessor-version":[{"id":2496,"href":"https:\/\/www.evostar.org\/2023\/wp-json\/wp\/v2\/pages\/84\/revisions\/2496"}],"wp:attachment":[{"href":"https:\/\/www.evostar.org\/2023\/wp-json\/wp\/v2\/media?parent=84"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}