{"id":40,"date":"2024-06-28T20:43:04","date_gmt":"2024-06-28T18:43:04","guid":{"rendered":"https:\/\/www.evostar.org\/2025\/?page_id=40"},"modified":"2025-04-22T10:01:09","modified_gmt":"2025-04-22T08:01:09","slug":"evomusart","status":"publish","type":"page","link":"https:\/\/www.evostar.org\/2025\/evomusart\/","title":{"rendered":"EvoMUSART"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"512\" src=\"https:\/\/www.evostar.org\/2025\/wp-content\/uploads\/sites\/2\/2024\/07\/evo25-evomusart-1024x512.png\" alt=\"\" class=\"wp-image-119\" srcset=\"https:\/\/www.evostar.org\/2025\/wp-content\/uploads\/sites\/2\/2024\/07\/evo25-evomusart-1024x512.png 1024w, https:\/\/www.evostar.org\/2025\/wp-content\/uploads\/sites\/2\/2024\/07\/evo25-evomusart-300x150.png 300w, https:\/\/www.evostar.org\/2025\/wp-content\/uploads\/sites\/2\/2024\/07\/evo25-evomusart-768x384.png 768w, https:\/\/www.evostar.org\/2025\/wp-content\/uploads\/sites\/2\/2024\/07\/evo25-evomusart-1536x768.png 1536w, https:\/\/www.evostar.org\/2025\/wp-content\/uploads\/sites\/2\/2024\/07\/evo25-evomusart-2048x1024.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>The 14th International Conference on Artificial Intelligence in Music, Sound, Art and Design (EvoMUSART) 2025 is a multidisciplinary conference that brings together researchers who are working on the application of Artificial Intelligence techniques in creative and artistic fields.<\/p>\n\n\n\n<p>There is a growing interest in the application of Artificial Neural Networks, Evolutionary Computation, Swarm Intelligence, Cellular Automata, Alife, and other Artificial Intelligence techniques in fields such as: visual art and music generation, analysis, and interpretation; sound synthesis; architecture; video; poetry; design; and other creative tasks. Therefore, the use of Artificial Intelligence in such creative domains became a significant and exciting area of research. EvoMUSART provides the opportunity to present, discuss and promote innovative contributions and ongoing work in the area.&nbsp;<\/p>\n\n\n\n<p>Following the success of previous events and the importance of the field of Artificial Intelligence applied to music, sound, art and design, EvoMUSART has been an evo* conference with independent proceedings since 2012. The&nbsp;<a href=\"https:\/\/link.springer.com\/conference\/evomusart\">EvoMUSART proceedings<\/a>&nbsp;have been published in Springer Lecture Notes in Computer Science (LNCS).<\/p>\n\n\n\n<p>Download the CFP in PDF <a href=\"https:\/\/www.evostar.org\/2025\/wp-content\/uploads\/sites\/2\/2024\/09\/evo2025-flyers-evomusart.pdf\">here<\/a>.<\/p>\n\n\n\n<p><strong>NEW<\/strong>: The proceedings of EvoMUSART 2025 are available in the following <a href=\"https:\/\/link.springer.com\/book\/9783031901669\">link<\/a>.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Conference Chairs<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Penousal Machado<\/strong><br>University of Coimbra, Portugal<br>machado(at)dei.uc.pt<\/li>\n\n\n\n<li><strong>Colin Johnson<\/strong><br>University of Nottingham, United Kingdom<br>Colin.Johnson(at)nottingham.ac.uk<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Publication Chair<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Iria Santos<\/strong><br>Universidade da Coru\u00f1a, Spain<br>iria.santos(at)udc.es<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Areas of Interest and Contributions<\/strong><\/h2>\n\n\n\n<p>Submissions should concern the use of Artificial Intelligence techniques (<em>e.g.<\/em>&nbsp;Evolutionary Computation, Artificial Neural Networks, Artificial Life, Machine Learning, Deep Learning, Swarm Intelligence) in the generation, analysis and interpretation of art, music, design, architecture and other creative and artistic fields. Topics of interest include, but are not limited to:<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Generation<\/strong><\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Systems that create drawings, images, animations, sculptures, poetry, text, designs, webpages, buildings,&nbsp;<em>etc.<\/em>;<\/li>\n\n\n\n<li>Systems that create musical pieces, sounds, instruments, voices, sound effects, sound analysis,<em>&nbsp;etc.<\/em>;<\/li>\n\n\n\n<li>Systems that create artefacts such as game content, architecture, furniture, based on aesthetic and functional criteria;<\/li>\n\n\n\n<li>Robotic-based Evolutionary Art and Music;<\/li>\n\n\n\n<li>Other related artificial intelligence or generative techniques in the fields of Computer Music, Computer Art,&nbsp;<em>etc.<\/em><\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Automation<\/strong><\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Techniques for automatic fitness assignment;<\/li>\n\n\n\n<li>Systems in which an analysis or interpretation of the artworks is used in conjunction with artificial intelligence techniques to produce novel objects;<\/li>\n\n\n\n<li>Systems that resort to artificial intelligence approaches to perform the analysis of image, music, sound, sculpture, or some other types of artistic object or resource.<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Computer Aided Creativity and Computational Creativity<\/strong><\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Systems in which artificial intelligence is used to promote the creativity of a human user;<\/li>\n\n\n\n<li>New ways of integrating the user in the evolutionary cycle;<\/li>\n\n\n\n<li>Analysis and evaluation of: the artistic potential of biologically inspired art and music; the artistic processes inherent to these approaches; the resulting artefacts;<\/li>\n\n\n\n<li>Collaborative distributed artificial art environments;<\/li>\n\n\n\n<li>Contextualisation of creative AI in cultural, economic, social, political or ecological discourse.<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Theory<\/strong><\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Computational Aesthetics, Experimental Aesthetics; Emotional Response, Surprise, Novelty;<\/li>\n\n\n\n<li>Representation techniques;<\/li>\n\n\n\n<li>Surveys of the current state-of-the-art in the area; identification of weaknesses and strengths; comparative analysis and classification;<\/li>\n\n\n\n<li>Validation methodologies;<\/li>\n\n\n\n<li>Studies on the applicability of these techniques to related areas;<\/li>\n\n\n\n<li>New models designed to promote the creative potential of biologically inspired computation.<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Submission Details<\/h2>\n\n\n\n<p>Accepted papers will be presented orally or as posters at the event and included in the evo* proceedings, published by Springer Nature in a dedicated volume of the Lecture Notes in Computer Science series. Submissions will be rigorously reviewed for scientific and artistic merit. Submitters are strongly encouraged to provide in all papers a link for download of media demonstrating their results, whether music, images, video, or other media types.&nbsp;<strong>The reviewing process will be double-blind<\/strong>, so please omit information about the authors in the submitted paper and anonymise links for double-blind review.<\/p>\n\n\n\n<p>Follow <a href=\"https:\/\/www.evostar.org\/2025\/submit-paper\/\" data-type=\"page\" data-id=\"46\">these instructions<\/a> to submit a paper.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Programme Committee<\/h2>\n\n\n\n<br>\n<strong>Sebastian von Mammen<\/strong>, Julius-Maximilians-University W\u00fcrzburg<br>\n<strong>Brian Ross<\/strong>, Brock University<br>\n<strong>Jean-Pierre Briot<\/strong>, LIP6, Sorbonne University \u2014 CNRS <br>\n<strong>Max Peeperkorn<\/strong>, University of Kent<br>\n<strong>Antonios Liapis<\/strong>, University of Malta<br>\n<strong>Marcelo Caetano<\/strong>, CNRS-PRISM<br>\n<strong>Christopher J. Tralie<\/strong>, Ursinus College<br>\n<strong>Fabian Ostermann<\/strong>, TU Dortmund<br>\n<strong>Luis Teixeira<\/strong>, University of Porto<br>\n<strong>Georgios Diapoulis<\/strong>, Chalmers University of Technology<br>\n<strong>Camilo Cruz Gambardella<\/strong>, Monash University<br>\n<strong>Igor Vatolkin<\/strong>, RWTH Aachen University<br>\n<strong>\u00c1lvaro Torrente Pati\u00f1o<\/strong>, University of A Coru\u00f1a<br>\n<strong>G\u00fcnter Rudolph<\/strong>, TU Dortmund<br>\n<strong>Pedro Martins<\/strong>, University of Coimbra<br>\n<strong>Amilcar Cardoso<\/strong>, University of Coimbra<br>\n<strong>Louis Philippe Lopes<\/strong>, Lus\u00f3fona University<br>\n<strong>Jo\u00e3o Correia<\/strong>, University of Coimbra<br>\n<strong>Tiago Martins<\/strong>, University of Coimbra<br>\n<strong>J\u00e9ssica Parente<\/strong>, University of Coimbra<br>\n<strong>Rolando Miragaia<\/strong>, Polytechnic Institute of Leiria<br>\n<strong>Nereida Rodr\u00edguez<\/strong>, University of A Coru\u00f1a<br>\n<strong>Daniel Jones<\/strong>, Sonos, Inc.<br>\n<strong>Paulo Urbano<\/strong>, University of Lisbon<br>\n<strong>Mar\u00eda Navarro<\/strong>, University of Salamanca<br>\n<strong>Stephen Todd<\/strong>, Goldsmiths, University of London<br>\n<strong>Alain Lioret<\/strong>, Paris 8 University Vincennes-Saint-Denis<br>\n<strong>John P. Lewis<\/strong>, Victoria University of Wellington<br>\n<strong>Jo\u00e3o Macedo<\/strong>, University of Coimbra<br>\n<strong>Vic Ciesielski<\/strong>, RMIT University<br>\n<strong>Jo\u00e3o Miguel Cunha<\/strong>, University of Coimbra<br>\n<strong>Penousal Machado<\/strong>, University of Coimbra<br>\n<strong>Daniel Bisig<\/strong>, Zurich University of the Arts<br>\n<strong>Carlos Le\u00f3n<\/strong>, Complutense University of Madrid<br>\n<strong>Edward Easton<\/strong>, Aston University<br>\n<strong>Catarina Ma\u00e7\u00e3s<\/strong>, University of Coimbra<br>\n<strong>Daniel Silva<\/strong>, University of Porto<br>\n<strong>Oliver Bown<\/strong>, University of New South Wales<br>\n<strong>Gilberto Bernardes<\/strong>, University of Porto<br>\n<strong>Olga Vechtomova<\/strong>, University of Waterloo<br>\n<strong>Somnuk Phon-Amnuaisuk<\/strong>, Universiti Teknologi Brunei<br>\n<strong>Bj\u00f6rn Gamb\u00e4ck<\/strong>, Norwegian University of Science and Technology<br>\n<strong>Matthew Lewis<\/strong>, Ohio State University<br>\n<strong>Miguel Angel Casal Santiago<\/strong>, PhotoILike<br>\n<strong>Maximos Kaliakatsos-Papakostas<\/strong>, Hellenic Mediterranean University<br>\n<strong>Teresa Llano Rodriguez<\/strong>, Monash University<br>\n<strong>Carlos Grilo<\/strong>, Polytechnic Institute of Leiria<br>\n<strong>Hans Dehlinger<\/strong>, University of Kassel<br>\n<strong>Michael O&#8217;Neill<\/strong>, University College Dublin<br>\n<strong>R\u00f3is\u00edn Loughran<\/strong>, Dundalk Institute of Technology<br>\n<strong>Varvara Guljajeva<\/strong>, Hong Kong University of Science and Technology (Guangzhou)<br>\n<strong>Pablo Gerv\u00e1s<\/strong>, Complutense University of Madrid<br>\n<strong>Jon McCormack<\/strong>, Monash University<br>\n<strong>Jose Fornari<\/strong>, UNICAMP<br>\n<strong>Anna Jordanous<\/strong>, University of Kent<br>\n<strong>Jonathan E. Rowe<\/strong>, University of Birmingham<br>\n<strong>Andrew Horner<\/strong>, The Hong Kong University of Science and Technology<br>\n<strong>Juan Romero<\/strong>, University of A Coru\u00f1a<br>\n<strong>Marco Scirea<\/strong>, University of Southern Denmark<br>\n","protected":false},"excerpt":{"rendered":"<p>The 14th International Conference on Artificial Intelligence in Music, Sound, Art and Design (EvoMUSART) 2025 is a multidisciplinary conference that brings together researchers who are working on the application of Artificial Intelligence techniques in creative and artistic fields. There is a growing interest in the application of Artificial Neural Networks, Evolutionary Computation, Swarm Intelligence, Cellular [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-notitle.php","meta":{"footnotes":""},"class_list":["post-40","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.evostar.org\/2025\/wp-json\/wp\/v2\/pages\/40","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.evostar.org\/2025\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.evostar.org\/2025\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.evostar.org\/2025\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.evostar.org\/2025\/wp-json\/wp\/v2\/comments?post=40"}],"version-history":[{"count":8,"href":"https:\/\/www.evostar.org\/2025\/wp-json\/wp\/v2\/pages\/40\/revisions"}],"predecessor-version":[{"id":827,"href":"https:\/\/www.evostar.org\/2025\/wp-json\/wp\/v2\/pages\/40\/revisions\/827"}],"wp:attachment":[{"href":"https:\/\/www.evostar.org\/2025\/wp-json\/wp\/v2\/media?parent=40"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}